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Davis Country
Davis Country collects the best writings of H. L. Davis, one of the Northwest's premier authors and the only Oregonian to receive the Pulitzer Prize for fiction. Born in southern Oregon's Umpqua Valley in 1894, Davis grew up in Antelope and The Dalles. He began as a poet, receiving the prestigious Levinson Prize at age twenty-Five. With the encouragement of H. L. Mencken, he turned to fiction, winning the Pulitzer Prize for his 1935 novel Honey in the Horn, which Mencken called the best first novel ever published in America. Full of humor and humanity, Davis's work displays a vast knowledge of Pacific Northwest history, lore, and landscape. His instinctive feel for the Northwest-the weather, trees, plants, animals, the varieties of Oregon rain, the smell of forest winds and high-desert heat-is unmatched. This volume gathers many of Davis's finest stories, essays, poems, and letters, as well as excerpts from his most famous novels. An introduction by editors Brian Booth and Glen Love, a brief autobiography, and an afterword on Davis's final, unfinished novel provide for a better understanding of this truly original Northwest voice. Book jacket.
winds of morning
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Honey in the Horn
Set in Oregon in the early years of the twentieth century, H. L. Davis's Honey in the Horn chronicles the struggles faced by homesteaders as they attempted to settle down and eke out subsistence from a still-wild land. With sly humor and keenly observed detail, Davis pays homage to the indomitable character of Oregon's restless people and dramatic landscapes without romanticizing or burnishing the myths. An essential book for all serious readers of Northwest literature, this classic coming-of-age novel has been called the "Huckleberry Finn of the West." It is the only Oregon book that has ever won a Pulitzer Prize for fiction. With a new introduction by Richard W. Etulain, this path-breaking work from one of Oregon's premier authors is once again available for a new generation to enjoy.
Beulah Land
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The Miles Davis Reader
If you ever needed proof that a magazine can have a love affair with a musician, you're holding it in your hands. For DownBeat, the preeminent publication of the jazz world, Miles Dewey Davis was one of its most cherished subjects. Since it began covering the jazz scene in 1939, no other artist has been more diligently chronicled in its pages than Davis. The beauty of this collection is seeing the development of an artist over time. The reviews of his music go from quietly introducing a new talent to revering, perhaps, the greatest jazz artist of his generation. The feature articles begin with a very young, very polite Davis lamenting, “I've worked so little. I could probably tell you wher...
